Wednesday, October 2, 2013

Layered Toffee Cake


The Layered Toffee Cake at the Grand Re-Opening was a hit!
Here's the recipe, as requested:


TOTAL TIME: Prep/Total Time: 20 min. YIELD: 12-14
Ingredients
2 cups heavy whipping cream
1/2 cup caramel or butterscotch ice cream topping
1/2 teaspoon vanilla extract
1 prepared angel food cake (8 to 10 ounces)
9 Heath candy bar (1.4 ounces each), chopped

In a bowl, beat cream just until it begins to thicken. Gradually add the ice cream topping and vanilla, beating until soft peaks form. Cut cake horizontally into three layers. Place the bottom layer on a serving plate; spread with 1 cup cream mixture and sprinkle with 1/2 cup candy bar. Repeat. Place top layer on cake; frost top and sides with remaining cream mixture and sprinkle with the remaining candy bar. Store in the refrigerator. Yield: 12-14 servings.

Monday, September 23, 2013

Vintage Series II - Fan...or Faux?


We're revisiting the Vintage Series this post, featuring the fan.  Some of you may just enjoy the pictures, and others will savor the history right along with me.  Either way, I invite you to stay a while.

Besides, who could resist a good book with a comfortable quilt?  So, linger and read a bit here on what makes that quilt so appealing...
Marin Hanson, in writing about Nancy Cabot and Her ‘Exotic’ Quilt Patterns, tells us "in the 1920s, ‘30s, and ‘40s, quilt designers had an affinity for exotic or oriental patterns. In the era of Charlie Chan in the movie theaters, the words “oriental” and “exotic” were often used interchangeably and quilt patterns that had an exotic flair were all the rage."
"One designer who heavily promoted this trend was Nancy Cabot, the pseudonymous quilt pattern columnist for the Chicago Tribune. Because her column was widely syndicated, quiltmakers all over the country would have been familiar with her exotic patterns, which ranged from Japanese Poppy to Chinese Gongs to Persian Poinsettia. Often, however, many of Cabot’s patterns were exotic in name only. As with other early twentieth century designers, she recycled traditional patterns and gave them new names, likely in the hopes of adding appeal for a new generation."
"Fan motifs had been around at least since the late-nineteenth century Crazy quilt craze. They were transformed into repeat block patterns and became popular in the early twentieth century, with names like Grandmother’s Fan and Imperial Fan. Cabot took variations of these and gave them exotic names". 
One of these that Cabot renamed was the Chinese Fan (c. 1943), a gorgeous predominantly pink one I've featured as the background of my blog site.  (Can't see it using your iPhone, tablet or email?  Check it out on my blog by clicking on www.ppatchworks.blogspot.com). Regardless of the origin of its name, I simply like it! The fan variation quilt in the pictures shown with this post is lovely, as well, and deserves a fan or two, no pun intended.

Saturday, September 14, 2013

Grand Re-Opening Open House!


My downtown studio is now open for business!
To celebrate, my Grand Re-Opening will be held
Tuesday, October 1st
Noon to 3:00
Open house (come when you can - working
quilters come during your lunch hour)
Carpooling highly recommended
Door prizes
Light hors d'oeuvres
Bottomless fresh lemonade, because...
...that's what you make out of lemons!

Connie Potter
Ponderosa Patchworks

Monday, September 9, 2013

A Step Back in Time - Vintage Series I



A dear friend of mine owns a late 19th century home in the center of town....







She graciously consented to a photo shoot on her property featuring my vintage quilt collection.  All quilts shown in this post were quilted by me.  The quilt above - Southern Belle, c. 1920's - was purchased as a set of 12 blocks and is the only quilt I've sewn entirely with period materials.  Using a vintage pattern, each block was set in blue sashings and framed with a snow cone border.  
Here's a bit of history on the Southern Belle, (aka Colonial Lady and Umbrella Girl), a design that was originally used in the "Quilt Code" of the Underground Railroad. According to Traditional Quiltworks"Free women in the North wore long dresses with Sue bonnets". The earliest "Sunbonnet baby" figures are in redwork embroidery, and date to around 1905. The "Sue" appliqué block didn’t appear until 50 years after the Underground Railroad disbanded; the earliest known "sunbonnet" appliqué quilt (by Marie Webster, called Sunbonnet Lassies or Keepsake) was first published in the Ladies Home Journal in January 1911. Quilt historian Barbara Brackman notes that the Sunbonnet appliqué pattern "did not trickle down to the quilt-making public until the late 1920s".





Ahh, the Nine-Patch Variant.  This quilt top was found antiquing at a local shop.  I was intrigued with it because I own a very special one that my maternal grandmother hand-pieced and hand-quilted. More on that quilt later!  No history as yet on this design, but I hope to have a tidbit or two when I reveal my grandmother's quilt later in this Vintage Series.
Who can deny the romanticism of a Double Wedding Ring quilt? Again, the quilt top was found antiquing and I quilted it using patterns especially for Double Wedding Ring quilts.  
History of this design:  Some consider this pattern among one of the oldest, while others insist that there was no historical mention of it until the 1920s, at least in the U.S.  It’s no surprise that many Double Wedding Ring quilts have become family heirlooms – made by grandmothers and mothers for their children and grandchildren. There is a folklore belief that a newly wed couple will be protected from bad dreams and bad luck, and their marriage will be a blessed one if they sleep under a Double Wedding Ring quilt received as a wedding gift.

There is a lot of symbolism behind this pattern – some point to the “gimmal ring,” a betrothal ring popular in 15th-16th centuries. The Gimmal ring was two rings fitted together to form one; the two parts were worn separately by the engaged couple, and during the wedding ceremony the rings were interlocked to be worn by the wife. The infinity of Celtic Knot and Roman etching patterns with interlocking rings also comes to mind when we look at a Double Wedding Ring quilt, and the message of eternal love inevitably follows.

The part I loved most in the quilting of this quilt was the rings, which were done non-stop in continuous curve.  Quite the feat to attempt and accomplish.


I absolutely love vintage quilts.  I had so much pleasure taking these photos and wish to thank my good friend once again for her lovely home as backdrop.
Look for another edition to the Vintage Series in the weeks to come!  
And later this week I'll be sending you a personal invitation to my Grand Re-Opening!







Wednesday, July 31, 2013

Aloha III


This third and last of the Aloha "Series" features appliquéd whales and turtles from Hawai'i.






The hand-dyed batiks for both the whale and turtle mini-quilts originated from my favorite quilt shop, Kapaia Stitchery on Kauai.  Browse the shop yourself at www.kapaia-stitchery.com.
The whales swim in an ocean made from 1 inch strips of batiks, with the hues darkening as the whales swim deeper. The turtles meander in a very calm strip of blue tonal batik. 



The quilting is free-motion curls to represent swirling water on both of these mini-quilts.
My husband and I love to snorkel, especially on Maui.  Not only have we swam with whales and turtles, but a school of dolphin as well on the Big Island.  Once while snorkeling close to shore on Maui we caught a strange deep-ocean current which brought millions of shrimp and a large manta ray. 







Last but not least is a quilt whose pattern is aptly entitled Ocean Waves, quilted in varying shades to emulate ... well ... ocean waves.  I've entitled it Sand and Surf.  It just makes you want to take off your shoes and dip your toes into the water.





I free-motion quilted curls again on this quilt, the same as the mini-quilts.  It just seemed the right application.  I also changed the thread color to suit the fabric.  Which thread?  What else but King Tut, a luxurious variegated cotton.









What do you do with a few leftover triangle square units when a project is done?  You make a matching pillow!

I'm glad you enjoyed your trip to Hawaii with me!  Certainly, it's something we all can do when we quilt with batiks.

And for those of you interested in my Grand Re-Opening in my new studio, keep frequenting my blog for information on the date, hopefully this August or September.

Until then, Aloha!


Ponderosa Patchworks no ka oi!

Tuesday, July 9, 2013


When life hands you lemons...

...you have no choice but to make do.  Gratefully, our distance from the fire break out gave us more time to pack up our things before the mandatory fire evacuation was announced for the Black Forest fire. Working solo for 90 minutes, and then later with a few family members and friends, I struggled with the decision of what to pack another 90 minutes after this announcement.

Of course, customer quilts were the first things in the car.  I had a responsibility to see to that. Personal quilts were piled on the dining room table and used as packaging material with which to wrap pictures off the walls.  Photo albums were thrown into large empty tubs stored in a hall closet just for that purpose.

Important documents, a few changes of clothing, extra shoes, and some heirlooms were salvaged along with other personal items that couldn't be replaced.  Beyond that, that's all the time I had before fleeing the ash and belching black fire plumes that were quickly descending upon our property and home. The sky was an alarming shade of crimson which poured through the windows those last few moments - a frightening farewell. 

One of the quilts we managed to save is pictured at right, and continues my Aloha theme from June - or Aloha II.


It showcases 49 Hawaiian flowers that have been raw-edge appliquéd.  The quilting was entirely free-motion; fern wreaths in each four-square block as well as around the edge of the quilt.  I chose an earthy theme for the fabrics to complement the Colorado locale.

One question that I am frequently asked is "Did I get all my quilts out?"  The answer is no.  There were some that were too difficult to reach that went down with the home.  



I made conscious decisions to leave most of the homes' other decorations because of their 1) low priority, and 2) I felt those adornments went with that house.  The next home will be blessed with its own character and love, with all family members safely intact who will gratefully supply that love in abundance.

Which brings me to my closing comment for this post four weeks to the day after our home was totally destroyed. What do you do when life hands you lemons?  As cliche as it sounds, you just have to make the best-tasting lemonade this side of Heaven. You re-create, rebuild and refashion another life similar if not better than the one before.  
Another question I've been asked is "Are you going to reopen your business?"  You re-create, rebuild and refashion another business similar if not better than the one before! Watch for an announcement of lemonade being served at my Grand Opening hopefully this fall in our cute little bungalow near Colorado Springs' Old North End.  
Life is truly sweet.


Tuesday, June 11, 2013

Aloha I

Hopefully during these long summer days you're vacationing to somewhere wonderful.  Until then, a quilt project can tide you over!  Mine usually comes in the form of Hawaiian quilting, usually done in batiks.

The next two posts will take you to Hawaii!  
In the quilt below, I love the study in contrasts projected in the fabric choices.
It was fun to add a bit of 'art quilting' to the Hibiscus.  Click on any of these pictures to zoom in on texture or quilting.
On a trip to Maui a few years ago, I took a needle-turn appliqué class at the Maui Quilt Shop in Kihei.  Even though I am a longarm quilter, I enjoy all methods of quilting.  
Pictured below are two pillow kits I purchased at the shop, one of which I finished on a long stay on the island in the evenings. The quilt behind the pillows was made that same year, free-motion quilted in ferns.  Needle-turn is so relaxing, especially to the sounds of surf...


 I love taking left-over materials - maybe a single block or extra fabric - to make placemats or table-runners.  These runners were taken right off my kitchen and dining room tables for this photo shoot...
 The sea glass was found on the south coast of Kauai.  Sea glass is basically garbage that has been thrown miles offshore, which tumbles through the Hawaiian sands and coral for decades until it comes to rest on the beach.  I love the jewelry a very good friend of mine has crafted for me here in Colorado - which is very expensive purchased on the islands.





Be sure to visit again later this month for more Hawaiian quilts and treasures.
Mahalo!

Ponderosa Patchworks no ka oi!